Radiohead Won't Reveal Price-It-Yourself Sales

The chief advisers to Radiohead, the Grammy-winning British rock act behind platinum albums like “OK Computer,” were lounging around, having a “metaphysical”conversation about the value of music in the digital realm, when they struck upon the idea of simply releasing new music online and letting fans settle the matter themselves.

Initially, they viewed it as a way to let fans preview Radiohead’s music without the guidance — or filter — of radio programmers, music critics or other conventional tastemakers.

Instead, when Radiohead quietly divulged plans to let fans name their price for the digital download of its new album, “In Rainbows,” it incited talk of a revolution in the music industry, which has found the digital marketplace to be far less of a cash cow than it once dreamed. Though Radiohead is in a position that can’t easily be replicated — it completed its long-term recording contract with the music giant EMI while retaining a big audience of obsessive fans — its move is being seen as a sign for aspiring 21st-century music stars.

“To put your record out for someone’s individual perceived value is brilliant,” said David Kahne, a longtime music producer who has collaborated with artists like Paul McCartney and Kelly Clarkson. While it presents obvious risks as a business model, he noted: “It’s a spiritual model. That’s what it feels like to me.”

The Radiohead camp has been reluctant to add to the hype surrounding the album, which has been stoked by breathless blog posts and e-mail exchanges for the past week. Bryce Edge, who manages the band with Chris Hufford of Courtyard Management, stressed that the band’s tip-jar-style tactic “is not a prescription for the industry.”

But he acknowledged that it has punctuated a debate about the fair value of music that has accelerated in the last few months. Before Radiohead’s superstar panhandle, Prince offered a free song through Verizon phones (and roughly three million free copies of his new album in a British newspaper). And Trent Reznor of the rock act Nine Inch Nails, which, like Radiohead, is effectively free from a record contract, recently encouraged concertgoers to simply “steal” the band’s new album and “give it to all your friends.”

Radiohead’s move comes just as a federal jury in Minnesota last week decided that a mother found liable for copyright infringement for sharing music online should pay damages amounting to about $9,250 apiece for 24 songs.

Mr. Edge summed up the pricing pandemonium simply: “Digital technology has reintroduced the age of the troubadour. You are worth what people are prepared to give you in the digital age because they can get it for nothing.”